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Michael Maranda was at the soundboard for the reading that Sandra Alland and I did at Mercer Union in Toronto for Mark Truscott's Test Series. I came home with Michael's book Wittgenstein's Corrections, which he describes at his site as "a reproduction of all the notational marks and corrections in Wittgenstein's manuscript of the Tractatus Logico-Philosophicus, absenting the text itself in order to underscore, pace Wittgenstein, that what is most important is often that which is not written."
Recordings of the Test Series readings are archived here, including mine, Sandra's, and our Q&A after the reading. Sandra is a dynamic reader and just a great person. Her new book Blissful Times is terrific. ("Do any of us really speak the same language? Blissful Times is a collection of poetry that tries to find out." It really does.) She's just moved to Scotland--you can find out more about Sandra and keep up with her at her blog-like entity. The inimitable a.rawlings joined me to read the "translations" poems from case sensitive. That was fun. Her recordings from Wide slumber for lepidopterists (she says they are "rough drafts") are being hosted now at PENNsound. You can listen to them here. I was hoping that our host Mark Truscott would do one of those first-book interviews--but he's been kind of busy lately. Stacy Szymaszek described his Said Like Reeds Or Things as "a cellular study of our English communication system where pronouns and prepositions become more mysterious and muscular than verbs and nouns." (Ron Silliman's thoughts on it are here.) It's a Coach House book, so you know it's beautiful, but photos of the cover don't do it justice. Purchasing it is your best bet.
You can't take Pontiac Quarterly on the road or to the bathroom with you because this literary and arts journal happens live, quarterly, at Toronto's Drake Hotel. "Reading a magazine has never been so hands-free." Fiction, photography, feature interviews, poetry, spotlight articles, musical diversions--there's even an advice column! I'm sorry I didn't get a chance to experience PQ while I was in town but I had a good long talk with its founder, Damian Rogers, who impressed me with her energy and vision. Liz Clayton has been the editor for the last year or so, but she's moving to New York and Damian will be taking over again. (I don't know if Liz will be doing the advice column, "Liz, what the fuck?" from New York or not.) I did add Amanda Earl's blog a while back--and that's one you definitely want to read to know what's happening (poetically & otherwise) in the capital city, Ottawa. Her photographer husband Charles' blog, through the broken viewfinder, also documents the poetry scene, as well as many other things he's seeing. Amanda's new chapbook E l e a n o r is just out from above/ground press. The mighty publisher of above/ground, rob mclennan, is the man to contact for a copy. While you're at it, pick up flow march n pwder blossom s by Max Middle. (Enjoy a taste of the Max Middle Sound Project on YouTube. There are lots of sound files at his site, vispo too.) I had a wonderful time reading with Rhonda Douglas at the Ottawa Art Gallery in rob's Factory Series (Amanda Earl's report of the reading is here). Great to meet Rhonda and all the very welcoming gang gathered in Ottawa. Rhonda read from her potent chapbook Time, If It Exists (also published by above/ground). Here's a poem from that book:
This is me and my house, my mom Once upon a time there was a city That is all past tense now. Flashes of something normal: it's just your sister-in-law Helen I tell this to my mother, she says "no, Cassandra,
. . .
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