Hi. If you're looking for a short bio for a publication or reading series, please use this:
Kate Greenstreet is the author of The Last 4 Things and case sensitive, both from Ahsahta Press, and six chapbooks. Her new work can be found in Chicago Review, Colorado Review, Volt, Fence, Boston Review, and other journals. Ahsahta will publish her third book, Young Tambling, in 2013.
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For the curious, here's a little more information:
KG's sixth chapbook, our weakness no stranger, will be out from Red Glass Books in 2012. Her previous chapbooks are CALLED (Delete Press, 2011), "but even now I am perhaps not speaking" (Imprint Press, 2010), This is why I hurt you (Lame House Press, 2008), Rushes (above/ground press, 2007), and Learning the Language (Etherdome Press, 2005). Statues, a Big Game Books tinyside, was available briefly in 2006. Her work has appeared lately at Flying Object and Poets.org, and in Guernica, Sink Review, and Arsenic Lobster. New poems are forthcoming in Boston Review, Colorado Review, WSQ, Phoebe, Map Literary, Sugar House Review, and Black Warrior Review. Her videos have been featured in Dewclaw, Slope, Trickhouse, and Evening Will Come. New films will be up soon in TYPO and Medium.
Links to her work online are here.
Her poetry can also be found in the anthologies Fire On Her Tongue: An eBook Anthology of Contemporary Women's Poetry (Two Sylvias Press, 2011), The Cento (Red Hen Press, 2011), 13 Younger Contemporary American Poets (Proem Press, 2010), The Harp & Altar Anthology (Ellipsis Press, 2010), Disco Prairie Social Aid and Pleasure Club (Factory Hollow Press, 2010), Letters to the World (Red Hen Press, 2008), The Bedside Guide to No Tell Motel - Second Floor (No Tell Books, 2007), and Diagram.2 (New Michigan Press, 2006).
Greenstreet is a painter and graphic designer. Her blog (now resting) includes interviews with quite a few first-book poets and some other people too. She is married and lives in New Jersey, no kids, no pool, no pets. Interviews with her can be accessed here.
Thanks for coming by.
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