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Kate Greenstreet's second book, The Last 4 Things, is new from Ahsahta Press and includes a DVD containing two short films based on the two sections of the book. Ahsahta published Greenstreet's case sensitive in 2006. Her fourth chapbook, "but even now I am perhaps not speaking," will be out on Imprint Press in June. Find her work in recent or forthcoming issues of VOLT, Fence, Trickhouse, Denver Quarterly, Colorado Review, and other journals. : For the curious, here's a longer version with links: Kate Greenstreet is the author of The Last 4 Things (Ahsahta Press, 2009) and case sensitive (Ahsahta, 2006). Her next chapbook, "but even now I am perhaps not speaking," will be published by Imprint Press this spring. Her previous chapbooks are This is why I hurt you (Lame House Press, 2008), Rushes (above/ground press, 2007), and Learning the Language (Etherdome Press, 2005). Statues, a Big Game Books tinyside, was available briefly in 2006. Greenstreet's poems have been in recent issues of Fence, jubilat, Court Green, PingPong, Harp & Altar, Raleigh Quarterly, Hotel Amerika, Saltgrass, and the Denver Quarterly. More are forthcoming in VOLT, The Laurel Review, Hayden's Ferry, Bird Fly Good, Trickhouse, Cannibal, and Colorado Review. Links to her work in online publications are here. She'll have work in the anthology called (get this) 13 Younger Contemporary American Poets, out any day now from Proem Press. Her poems can also be found in the anthologies Diagram.2 (New Michigan Press, 2006), The Bedside Guide to No Tell Motel - Second Floor (No Tell Books, 2007), and Letters to the World (Red Hen Press, 2008). She received a Fellowship from the NJ State Council on the Arts in 2003. Greenstreet is a painter and graphic designer. Her blog (now resting) includes interviews with quite a few first-book poets and some other people too. She is married and lives in New Jersey, no kids, no pool, no pets. If your interest extends even further, she is interviewed in the new issue of Salt Hill, and online here, here, here, here, here, and here. Thanks for coming by.
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